Robert Tanitch reviews Yamato at Peacock Theatre, London, and touring The beat is powerful. The sound is awesome. The rhythm is mesmerising. The speed is dazzling. The energy is inexhaustible. I still ...
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Mar 17, 2017
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Robert Tanitch reviews ENO’s Partenope at London Coliseum In 1726 Owen Swinney, manager of the London opera, dismissed the erotic libretto for Handel’s Partenope as entirely unsuitable for the Royal A ...
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Mar 17, 2017
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Based on the 1998 film of the same name, The Wedding Singer takes us back to the 1980s and tells the story of Robbie Hart – the singer that makes other people’s big days special while nursing his own ...
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Mar 15, 2017
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Robert Tanitch reviews The Miser at Garrick Theatre, London WC2 An opportunity to see a play by Molière is rare these days. So it is doubly unfortunate that director Sean Foley does not think Molière ...
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Mar 15, 2017
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