Sugar, butter, flower and sex
Robert Tanitch reviews Waitress at Adelphi Theatre, London WC2 What better way to celebrate International Women’s Day than to attend the London premiere of a Broadway musical which celebrates female e ...
THEATRE REVIEWS
Let’s face it; Medea is never going to win the Mother of the Year Award
Robert Tanitch reviews Medea at Barbican Theatre, London EC2 Euripides (484-406BC) is the most popular of the great Greek tragic playwrights and his tragedies are regularly revived and none more so th ...
A lively, interesting programme, delightfully delivered
Eileen Caiger Gray reviews Shifting Perspective at Sheffield (February 28th 2019) Expressive singing and engaging, dramatic delivery are what Roddy Williams is all about, and in this evening of Shifti ...
“Women! Who can tell what the hell women are?”
Robert Tanitch reviews ENO’s The Merry Widow at London Coliseum Franz Lehár’s operetta was an enormous success at its premiere in Vienna in 1905 and its success was repeated in 1907 in London, New Yor ...