Robert Tanitch reviews Young Marx at Bridge Theatre, London SE1 London has a new commercial theatre and everybody in the theatrical profession and regular theatregoers will be wishing it well and want ...
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Oct 30, 2017
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Robert Tanitch reviews ENO’s Rodelinda at London Coliseum I much enjoyed Handel’s opera when I saw it at the London Coliseum in 2014 directed by Richard Jones and conducted by Baroque specialist Hande ...
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Oct 27, 2017
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Robert Tanitch reviews Witness for the Prosecution at London County Hall Agatha Christie (1890-1976), who made her name back in 1926 with The Murder of Roger Ackroyd, is the best-selling author of all ...
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Oct 26, 2017
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Robert Tanitch reviews Beginning at National Theatre/Dorfman, London. David Eldridge has written a neat and intimate two-hander about acute loneliness and the difficulty of finding a partner late in l ...
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Oct 23, 2017
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