Robert Tanitch reviews Carousel at London Coliseum ENO is short of cash and needs more audiences. One way to raise its profile is to semi-stage famous musicals with big names. Lonny Price has already ...
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Apr 12, 2017
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Robert Tanitch reviews ENO’s Partenope at London Coliseum In 1726 Owen Swinney, manager of the London opera, dismissed the erotic libretto for Handel’s Partenope as entirely unsuitable for the Royal A ...
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Mar 17, 2017
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Robert Tanitch reviews ENO’s Lulu at London Coliseum Alban Berg’s opera is based on two Lulu plays by Frank Wedekind. They are probably best known to British audiences from the 1928 GW Pabst silent fi ...
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Nov 10, 2016
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Robert Tanitch reviews ENO’s Tosca at London Coliseum Victorien Sardou, the most prolific of the French nineteenth century dramatists, was master of the well-made play, a term used nowadays only in a ...
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Oct 13, 2016
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