Robert Tanitch reviews ENO’s The Mask of Orpheus at London Coliseum First Gluck, then Offenbach and now Birtwistle: ENO continues its exploration of the Orpheus myth. Harold Birtwistle’s The Mask of O ...
Mark
1406 views
0
likes
Oct 22, 2019
Share
Robert Tanitch reviews ENO’s Jack the Ripper: The Women of Whitechapel at London Coliseum. Jack the Ripper was active in and around the slums of Whitechapel in 1888. He got his nickname because of the ...
Mark
1737 views
0
likes
Apr 4, 2019
Share
Robert Tanitch reviews ENO’s War Requiem at London Coliseum Benjamin Britten’s meditation on war and loss was written for the consecration of the rebuilt Coventry Cathedral in 1962 and has been regula ...
Mark
1959 views
0
likes
Nov 20, 2018
Share
Robert Tanitch reviews ENO’s Salome at London Coliseum Oscar Wilde’s pseudo-biblical shocker, gaudy, decadent, vulgar, was written in French in Paris whilst under the heady influence of Flaubert ...
Mark
2631 views
0
likes
Oct 1, 2018
Share
